Dr W J Jenkins In 1977 when the Sheffield Transfusion Centre took delivery of the first GROUPAMATIC blood grouping machine in the UK it was equipped with a sample identification system involving complicated and expensive disposable punched cards. In fact, the cards were so expensive that Dr Wagstaff was unable to find the revenue to support the system. A year later, when Brentwood took delivery of a GROUPAMATIC, we were faced with the same problem, but by chance we heard that KONTRON was developing a laser scanning system for bar code labels and we were able to have our machine modified. Subsequently the Sheffield machine was altered to take the bar code scanner. At about the same time the Bristol Centre was helping TECHNICON with the development of the AUTO GROUPER C-16, and fortunately they decided on a laser reader of the same type for bar code identification. Thus there were three centres with the capability for reading bar codes on blood grouping machines and it became necessary to find someone to produce the bar code labels. There was only on~ printer in the UK who could produce labels to the required specification. To cut the costs of printing, and in the hope of avoiding a wide variation in codes, I invited representatives of centres interested in the problem to a meeting, where we set up what we called the Group of Six. This later became an official Working Party of the Regional Transfusion Directors.
Throw them out and ratings skyrocket on cable TV. At church, you may fill a few more seats whenever you spice your sermon with them. In politics, they rally the base. In communities, they bond people with commonalities and keep at bay the deviant. In all cases, however, somebody pays for them, and lives with them, sometimes forever. In Stereotypes and Labels, Kirby A. Manager, PhD., uses real-life examples to show how tags, labels and stereotypes impact the lives of millions in communities around us. He explores how we all pay for it at the end.
This complete discographical compilation lists all the recordings issued by the MGM Record Company throughout its long and illustrious recording history from 1946 to 1982. It includes music specially recorded by MGM and recordings leased or purchased from other sources such as Musicraft, Joe Davis, and German Polydor. All music genres from jazz and country to popular and classical are covered, but the strongest feature may be the extensive recordings of films and musicals.
Volume 1 covers the period 1946 through 1960, while Volume 2 covers 1961 through 1982. Volume 3 lists additional recordings in various fields-popular artists, film soundtracks, foreign recordings, classical material-and provides a complete listing by recording media (singles, albums, compact discs) as well as indexes for composers, special subjects, and artists. This is an essential resource for anyone interested in recorded music after the Second World War.